TEEN GIRL SQUAD: EPISODE 1
SETH MCFARLANE'S 'THE BARTENDER SAYS...'
Mattel assures parents, though, that this more mature Dora is aimed toward tweens who may have grown up with Dora, but have moved out of the original show's demographics. This newer version is here to teach young ladies what's really important in life: Shopping, fashion, gossip, makeovers, and that looks are all that matters. Don't worry moms and dads, the younger, more innocent version isn't going anywhere. The original sweet little Dora and Boots will still be there to entertain your little ones...for now.
For those unfamiliar with The Goon, it is a noir comic published through Dark Horse Comics. Created by Eric Powell in 1999, the comic follows the unusual happenstances of a nearly unstoppable powerhouse brawler (The Goon) and his tough and scrappy sidekick (Franky) who collect and enforce for notorious, yet mysteriously absent mobster Labrazio. While Goon goes toe to toe with everything from ghosts to mad scientist to giant spiders who welch on payments, his main foil is the Zombie Preist and his mob of undead cohorts who terrorize the townsfolk who live around Lonely Street. This book has a little of everything -paranormal, science fiction, horror, comedy, and plenty of action. If you're looking for an enjoyable read, you can't go wrong with The Goon and with Fincher helming the upcoming movie I think we're in for a real treat.
re-emerges with the release The Venture Bros.: Season 3 on DVD (and for the first time on Blu-Ray). This is one show that never seems to disappoint with it's quirky storytelling and outrageous characters. No two episodes are alike -at all, and yet there is a solid continuity throughout. I would recommend this series to anyone who has felt that Adult Swim has been falling short of it's former glory and is looking for something more. And if the release of the season 3 episodes wasn't enough, tell me that this isn't the coolest DVD cover ever. In case you don't recognize the style it's based off of the old Atari 2600 packaging art, which is doubly ironic because of the very popular game for the 2600 titled Venture that didn't even come with said standard Atari package art because it was produced by Coleco for the 2600. Now THAT would have been even cooler, but it's still awesome none-the-less. If I could just get it in poster size...
't be stopping anytime soon. Following the release of Green Lantern: First Flight in July, DC is gearing up to take on one of my favorite DC stories of all time, Superman/Batman: Public Enemies. Originally written by Jeph Loeb and illustrated by the amazing Ed McGuinness, the Public Enemies storyline kicked off the highly successful Superman/Batman series (a revamp of the classic World's Finest Comics title which ran from 1941 to 1986 and featured Superman and Batman team-ups). The premise of the storyline was that then president Lex Luthor declared a state of emergency for the planet when a mysterious astroid of Kryptonian origin was discovered rocketing toward the Earth. Never one to miss an opportunity, Luthor immediately places blame solely on Superman claiming that he is responsible and that the only way to stop the impending doom is to stop Superman. President Luthor then puts an exhorbinant bounty on Kal El's head, which brings out all the big gun villians trying to cash in on the job. Through it all, Batman faithfully sticks by his side and risks it all to save his friend and in the story you see just how different and similar the two are at the same time. It's the subtle way that these two seemingly different personalties overlap that's the real appeal to this story. If that aspect gets overlooked for the feature you'll lose the heart of the story and it will just become another all action/no substance movie. Public Enemies is the story I use to introduce new readers to comics. It's entertaining, it's enthralling, and the artwork is just fantastic. There is no release date set yet for Superman/Batman: Public Enemies, but I would recommend to anyone with a love of comics (or even a slight curiousity) to go out and pick up the storyline in TPB today.
In an effort to destroy yet another piece of my childhood, the Hollywood Reporter is reporting that Warner Bros. plans to film Stephen King's "It" for the big screen.
at there are plenty of people out there who will rejoice in the fact that Howard the Duck makes it way to DVD today for the first time in the U.S. Just imagine, now a whole new generation can watch Lea Thompson make out with a duck (see, and you thought her wanting to french her son in Back to the Future was sick). Never heard of Howard the Duck? Well let me catch you up a bit...
f the United States under the banner of the All-Night Party. Just ten years after that historic event Lucas brought us Howard the Duck the movie and left millions of people scratching their heads. Today, Howard the Duck is still considered the Gigli comic book films (sorry Batman and Robin), but still seems to find its niche with some fans. OK, fine. So, maybe Howard the Duck is considered one of the worst films of all time, but I'm not afraid to say it. I love this movie, and I always have. I don't remember if I ever saw this in the theater, but I can tell you for a fact that my friends and I watched it on VHS more times than I can count and we loved it every time. If you're a fan of Howard the Duck comics (which I am) you probably would not enjoy anything about this film unless you can just take it for what it is and enjoy it for all it's horrible goodness. Come on, any film with Lea Thompson, Tim Robbins, Holly Robinson and 8 guys starring as one 3-foot tall duck can't be all bad, can it?


Talk about a match made in heaven. Upcoming Film Scores is reporting that the French electronica duo has been tapped to score the upcoming film starring Olivia Wilde, Garett Hedlund, Beau Garrett and Jeff Bridges (!) reprising his role as super genius Kevin Flynn. It will be directed by Joseph Kosinksi and written by "Lost" screenwriters Eddie Kitsis and Adam Horowitz.
Warner Bros has just released a new 10-minute interactive trailer for Watchmen on 6MinutesToMidnight.com. After deciphering a series of Rorschach images given to you by...well, Rorschach, you are treated to exclusive content for the upcoming Watchmen film. I will give you fair warning, though -if you've been worried about being exposed to too much Watchmen footage just before the movie comes out then DO NOT watch the content offered here. I only watched three seconds of the footage and I'm already worried that I've ruined the movie for myself. But, you know, it's up to you. What the heck do I know?
[reported from /film]
No sooner has Blu-Ray seen off HD-DVD with it’s knobbly knocking stick than another format war starts brewing in, quite literally, the R&D labs. According to a report in Video Business, Panasonic are looking to launch their first 3D-ready HD sets in what they hope will be an industry-wide standard, and will do so as soon as next year.
It’s probably pertinent to tell you right away that while Panasonic aren’t the only manufacturers working on a 3D standard, they are the ones in league with James Cameron. That alone has very possibly won them any upcoming format war before it even reaches the shop floor. Their system does indeed sound really brilliant, but so do the others, in their ways…
Ye olde 3D system used red and blue anaglyph glasses and is obviously already possible on home TVs of all kinds. When the most recent cinema hits have been repackaged for home consumers the 3D has been downgraded to work in this format. Or, rather, not quite work in this format because, frankly, the system is a bit of a dog. It doesn’t work consistently and a very significant percentage of users report that they don’t feel it works at all for them. I can’t believe that Dreamworks dare pollute the public idea of 3D with their Monsters vs. Aliens ad at the Superbowl, and fear they may have confused a large number of viewers with their tacky specs and substandard TV 3D.
But did you know that the new, polarized lens system is already possible at home? There already are ways to line up players and sets and specs to get the same 3D effect you’d get at a screening of, say, Coraline. It just isn’t standardized and until it is, there aren’t going to many major releases.
Here’s a brief run down of the three big players likely to duke it out in the coming months and years:
Panasonic’s system uses a Plasma and the same specs that you get at a Real-D screening. I know this system works, because I’ve seen it in action.
Samsung’s system has been around a while without much content. However, they also have a kind of conversion engine pending that will turn 2D into 3D on the fly - though this is likely to be very problematic and certainly won’t be the optimum solution, not least because it takes control of the stereo elements out of the hands of the filmmakers.
Hyundai’s system uses a polarising sheet over an LCD screen, which is likely to be the cheaper option and will also side step the various issues with Plasma screens (as well, of course, as the various benefits). This system is already on sale in Japan and will be running in Britain very soon with Sky TV planning to steadily ramp up their 3D output over the coming years until they can broadcast a very size-able chunk of the London 2012 Olympics in stereo-vision.
The closest thing to a set standard so far is in Panasonic’s pocket. They already started coding Blu-Ray discs with left and right eye fields and pledge to release Avatar on a 3D disc next year. At the moment, the Panasonic demo discs require a pimped up player that can tear through twice as much data per second than normal. Hopefully this won’t be the case with the release software as asking consumers to replace their newly minted BD decks is simply not going to fly.
Video Business have embedded a recent YouTube video in which Cameron briefly mentions collaborating with Panasonic on “high quality” 3D for the home. It seems to be software, not hardware, that wins format wars, but perversely, it’s the price of hardware that determines how far a media standard will infiltrate the marketplace. While Avatar is very likely to win the war for Panasonic, this success will be in vain if they don’t price-up for the Yous, Mes and Everyone we Knows out there.
If you have the right kind of 3D glasses, the Panasonic logo that James Cameron is conjuring out of thin air at the top of this post will fly around room and poke you in the eye.
franchise opened this weekend to a box office draw of a mere $4.6 million, just a tad bit shy of its $60 million budget. To put in perspective how miserably this movie did, the original Jean-Claude Van Damme cheesefest did $6.9 million for it's opening weekend way back in 1994, when ticket prices were much lower -and they were only working with a $35 million budget. Of course, this is only the opening weekend. I'm sure it will make plenty more in the next few weeks to surpass it's remaining budget. It's not like there's any movies premiering this coming weekend that would take anymore draw from Street Fighter's box office returns. Well, I guess there is the Watchmen movie this Friday, but I mean who the heck wants to see that -am I right? Oh, Kristen Kruek, I bet Smallville doesn't look so bad now, does it?

